FLOWERS IN THE DESERT
by
D. M. Larson
Cast of Characters
JAMIE - A teen-age girl who has run from a confflict at home to stay with her Aunt Betty (MA) in order to have some time to think things out.
SAM - A fun loving teen-age girl who likes to be on top of things. She has a mischievous spirit and loves to joke around. She is madly in love with the neighbor boy (JIMMY).
SARGE - A veteran of the Vietnam War who is in charge of a group home for troubled girls. He is kind hearted but quite firm when things get out of hand.
MA - A strong willed woman who is always in command of every situation. She is loving and keeps things running smoothly, most of the time.
PAULA - A simple teen-age girl who is very enthhusiastic about religion and wants to help both people and animals. She tries to be a guiding light and a good example to others but her reasoning ability is sometimes impaired.
SHELLY - A self-declared teen-age beauty queen wwho appears very in love with herself on the outside, yet feels quite different on the inside.
TINA - An angry teen-age girl who finds reasonns to hate everyone. She is good friends with Shelly but doesn't let anyone else get close to her.
CONNIE - Jamie's mother
TOM - Connie's boyfriend
Time and Place
Present day New Mexico. A remote group home for girls.
Prologue
(A light comes up on a small area of the stage R
where SHELLY sits alone doing her hair and looking
in a hand mirror)
SHELLY
Beauty and perfection. That's what you are Miss Shelly. Bet those boys back home would be doing a quite a bit of howling if they saw you now. Look at all the wonderful things time has done to you.
(Lowers mirror)
And when I get to Hollywood and become a star, they'll wonder where this goddess came from. But my past will be a mystery, because life before this moment ain't worth telling about. After those early years things have only gotten better. Actually I'll bet being born was one of the biggest let-downs of all. I spent all that time wrapped up in that little space in my mama, and for what? I pop out and look around, screaming, wondering if this was such a good idea. Wondering why someone didn't tell me sooner what it was gonna be like those first few years, 'cause if someone had told me, I don't think I woulda come out.
(The light R fades as a light L comes up on PAULA
who sits with a baby animal)
PAULA
I've always loved taking care of animals. Horses, cats, dogs, and especially pigs. That's what one of my foster mothers used to call me, her little piggy. And I did look like a little piggy that's for sure. I was plumper than a Buddha doll.
(Smiles, then looks thoughtful)
She was the best foster mother I ever had until she got sick. Too sick for me to take care of anymore. But I sure know how to take care of animals. I'm like St. Francis of A-sissy.
(Sighs)
I would sure love to be a saint like Francis, then all this suffering would be worth while.
(The light fades and comes up R on TINA)
TINA
I watch TV and see those happy families with the little baby who's takin' its first steps or saying its first word. Them folks make such a big deal out of those things. They laugh, they cry... all 'cause they love their little hairless baboon.
(Pause. Grows sad)
And I sit there all that time and wonder... who was there when I took my first step? Who was there when I said my first word?
(Pause)
I doubt if my first word was mama or papa. I'm sure it was four letters though.
(She chuckles a little, then sighs)
But who really cares anyway.
(The light fades on come up L on SAMANTHA kissing
JIMMY. They stop as light comes on and JIMMY
takes off. SAM is smiling from ear to ear)
SAMANTHA
I've always liked boys, ever since I could remember. And they've always liked me. I played post office and doctor: I loved being the patient. I was always a big hit at every birthday party, at least until I got sent home. I never meant any harm. It was always playing. And nobody has ever minded a little fun.
(The light fades on comes up on SARGE R)
SARGE
I took this job at the group home so I could help these girls like nobody helped me. Oh, I had a few people that helped me along the way, but mostly I was left to take care of myself. I wasted a lot of years being bitter and hurting other people who never did nothing to me. I figure this is my chance to make up for it all.
(Ironic smile)
But helping these girls is like trying to grow flowers in the desert and that ain't easy.
(Lights fade. Music)
ACT I
Scene 1
(Lights come up on the front of an old farm house.
The upstage area is filled with the front of the
home which includes a covered front porch and an
upstairs window. The door to the home is UC. DR
is an area of dirt intended for a garden. The
rest of the farm is off stage. PAULA is feeding
her baby pig with a bottle)
PAULA
Ain't it just the most beautiful mornin'? Ain't it just a dream? Oh, what a glorious God we have to give us such a wonderful day.
TINA
(Comes out during PAULA's opening speech)
If you start singing, I'm gonna hit you upside the head.
PAULA
Well, good morning to you too, Tina. You look nice today, doesn't she piggy?
TINA
You're so weird.
PAULA
Off to feed the rest of the animals?
TINA
(Puts on rubber boots)
Unfortunately.
PAULA
Oh, that's my favorite job.
(Baby talk to pig)
I just love feeding the little animals.
TINA
(Pokes pig)
So how's old Oscar Meyer today?
PAULA
That's not his name!
TINA
Well, it should be.
(PAULA feeds the pig more milk)
That's the way to do it, Paula. Fatten him up. He'll be ready before you know it.
PAULA
Ready for what?
TINA
(Hungry look)
Dinner.
PAULA
Hush now. You're gonna scare piggy.
TINA
(Sings as she exits R)
"Oh, I wish I had an Oscar Meyer wiener."
PAULA
(More baby talk)
Don't you pay her no mind, piggy. She's just an awful little heathen. Yes, she is.
(SARGE enters R with garden tools)
SARGE
Morning, Paula.
PAULA
Morning, Sarge. What'cha doing?
SARGE
I'm going to plant me some flowers right over there.
(Points DR)
PAULA
Well, may God bless your flowers.
(SARGE goes DR, puts on some headphones, turns on
his portable stereo, and begins work)
TINA
(Reenters R)
Hey, Sarge. Where's...
(Sees SARGE)
What's he doing?
PAULA
Planting flowers.
TINA
In a desert?
(Yells)
It'll never work, Sarge!
PAULA
He can't hear you.
(Points to ears)
Headphones.
TINA
I know that.
PAULA
Then why'd you yell?
TINA
Cause I felt like it, okay? You got a problem with that?
PAULA
No, we don't have a problem, do we piggy?
TINA
That's debatable.
(Looks around)
Where's Ma?
PAULA
(SHELLY comes out of the house)
She went to town to pick up her niece or nephew or someone like that.
SHELLY
(Smiles)
I hope it's a nephew.
PAULA
How come?
(SHELLY puts on her sunglasses and leans on the
porch railing. She lets the morning sun caress
her, trying to look like a movie star)
TINA
Why do you ask so many dumb questions?
(PAULA doesn't answer)
When's breakfast going to be? I'm hungry.
PAULA
You slept right through it. We ate before Ma left.
TINA
What?
PAULA
Ma told us to get up early today.
TINA
How come nobody woke me up?
SHELLY
We tried, honey, but you wouldn't budge.
PAULA
Besides, a little fasting always does a person some good.
TINA
Fasting? Are you saying I'm fat or something?
PAULA
No!
TINA
You better not be saying that or I'll bash your face in.
(Gives PAULA another dirty look and exits R)
PAULA
(To pig)
I guess she got up on the wrong side of the trough. She just ain't morning people like us. Isn't that right, piggy?
SHELLY
(Looking at her clothes)
Paula? Does this color look good on me? I thought it was pink in the store but now it looks sort of purple. Oh, but I do like the style of it. It shows off my finer qualities. I guess the color really doesn't matter quite so much then does it?
(Very happy)
I can make even a simple little blouse look good, can't I?
(Exits back inside)
PAULA
It looked pink to me. Maybe she'll let me borrow it sometime.
(Baby talk)
Cause pink is our favorite color, ain't it piggy?
(Sad)
Boy, I wish I was as pretty as Shelly.
(Baby talk as she gets up and heads R)
But I guess piggies shouldn't try to be petunias.
(Exits R)
SAM
(Off)
Come and get me, Jimmy boy!
(Runs on and is followed by JIMMY)
JIMMY
Why won't you hold still?
SAM
What's the matter? You too slow?
JIMMY
(Points)
Hey, what's Sarge doing?
SAM
(Looks)
I don't know.
JIMMY
(Grabs her)
Got ya'.
SAM
Not fair!
(Audience can tell SARGE is aware of SAM and JIMMY
but SARGE doesn't let them know)
JIMMY
Now for my kiss.
SAM
Not in front of Sarge.
JIMMY
I don't care about Sarge.
SAM
You will when you're dead.
(Pushes him away)
JIMMY
Just one little kiss?
SAM
(Pretending to be prissy)
Sorry, I'm not that kind of girl.
JIMMY
Yeah, right.
MA
(Off L)
Here it is, Jamie. Do you need any help with your bags?
JAMIE
(Off L)
No, I got them.
SAM
It's Ma. You'd better get going.
JIMMY
(Looks L)
Who's the new girl with Ma? She's kind of cute.
SAM
(Punches him)
Hey, you watch yourself.
JIMMY
What are you going to do about it?
SAM
Will you get out of here?
JIMMY
You gonna make me?
(SAM grabs JIMMY's ear and drags him off R. SARGE
snickers quietly to himself)
Ow. Ow.
MA
(Enters L with JAMIE)
We're still in the process of fixing it up.
JAMIE
(Being polite)
It's nice.
MA
Not really. But once we put some time into it, we'll get it looking pretty good.
JAMIE
I see.
MA
Here. Let me take your bags inside for you.
(Takes her bag)
JAMIE
Thank you.
MA
I'll put your bag in my room for now. Did you bring anything valuable?
JAMIE
Huh?
MA
I like to believe the best about our girls here at the group home, but sometimes nice things tempt them and those nice things disappear.
JAMIE
(Nervous)
No, I don't think I have anything like that.
MA
Sorry, Jamie. I don't mean to scare you. They're really nice girls once you get to know them. Some of them have pretty rough edges but after time you'll see how neat they can be.
SHELLY
Ma!
(Holds up a scarf)
Look what Paula did to my new scarf! It looks like she dropped it in cow manure!
MA
Now, Shelly. Calm down.
(Takes scarf with two cautious finger)
It should wash out.
SHELLY
I could kill her. I could just kill her.
(Exits inside)
MA
I better take care of this before it turns into another Pearl Harbor.
(Points DR)
Go say hi to your Uncle Joe and ask him to introduce you to some of the girls.
JAMIE
(Very nervous)
How many girls are there in your group home?
MA
(Smiles)
Only four.
(As she exits into house)
Relax, Jamie. Everything will be fine.
JAMIE
(Goes to SARGE and taps him on the shoulder)
Uncle Joe?
SARGE
(Takes off headphone)
Well, hey there, Jammer? I heard you were coming. How's my favorite niece?
JAMIE
Okay, I guess.
SARGE
Just okay, huh? Something eating you?
JAMIE
Not really.
(Looking around nervously)
SARGE
(Looks around too. Whispers)
What you looking for?
JAMIE
Huh? Oh, nothing.
SARGE
Nervous about meeting the girls?
JAMIE
(Gives a "how did you read my mind" look)
Uh... no.
SARGE
(Responding to her actions rather than words)
Don't worry. They're nice girls if you give them half a chance.
(Looks around)
Have you met any of them yet?
JAMIE
No, but it's okay. I can meet them later. There's no hurry.
SARGE
I should get at least one of them to show you around.
JAMIE
I'm kind of a loner. I can find my way around.
SARGE
(Takes a good look at her)
Is something wrong? You seem a lot different from the last time I saw you.
JAMIE
It's been awhile.
SARGE
Not that long. Is something wrong?
JAMIE
I don't really want to talk about it, okay Uncle Joe?
SARGE
(Knowing when to back off)
Okay.
(Looks off R)
Oh, good. Here comes Sam.
JAMIE
I better go inside and unpack.
SARGE
(Gently grabs JAMIE)
Sam, come over here. I want to introduce you.
SAM
(Enters R)
I kinda got something else to do, Sarge.
SARGE
Like what?
SAM
Never mind.
SARGE
Jamie. Meet Samantha.
SAM
Don't call me that name. You know I hate that.
SARGE
Sorry Sandpaper.
SAM
I don't think I like my nickname much better.
(Goes to JAMIE. Looks at SARGE)
My friends call me Sam.
(Looks over JAMIE)
What are you in for?
SARGE
Sam! You know better than to talk like that.
SAM
Sorry.
SARGE
She's our niece. She's here for a visit.
SAM
Why?
SARGE
Some people actually like to come see us.
SAM
(Sly look at SARGE)
I don't see why.
(SARGE rolls his eyes but smiles)
Does she talk?
JAMIE
Yes.
SAM
Well, she knows one word.
JAMIE
(Getting upset)
Can I go inside now, Sarge?
SARGE
(Gives SAM an annoyed look)
Sure, Jamie.
(JAMIE goes quickly inside)
What was that all about?
SAM
What do you mean?
SARGE
Why did you go and pick on her like that?
SAM
(Looks away)
I wasn't...
SARGE
Yes, you were. And you're going to make up for it.
SAM
How?
SARGE
You're going to become Jamie's best pal while she's here.
SAM
But Sarge...
SARGE
She can even stay in your room.
SAM
What? Roommates with Shelly AND the geekazoid?
SARGE
No. I will give in on that point. Shelly will move in with Tina. And if you're nice to Jamie the whole time she's here then Shelly stays with Tina when Jamie leaves.
SAM
What if Jamie never goes?
SARGE
She won't be staying that long.
SAM
Oh, that's right. She has a family to go home to.
SARGE
Just a mother.
SAM
That's more than I have.
SARGE
Will you do it?
SAM
(Pause. Thinks about it)
Sure. Why not? Anything to get rid of Shelly.
SARGE
(Tries to give SAM a hug)
You're a good kid, Sandpaper.
SAM
(Squirms)
I know.
SARGE
After morning devotions, show her around.
SAM
Does that mean no chores?
SARGE
Don't push it, Sam.
SAM
Don't worry, I will.
MA
(Comes out with SHELLY. MA carries a
small devotion book)
Devotion time.
SAM
Ah, do we have to do devotions every morning? Even God took a rest once in a while.
MA
Do you have to complain about it every morning? You know we always do them.
(To SHELLY)
Would you go get Paula and Tina?
SHELLY
Out in the barn? But I'm not dressed for it.
SARGE
And why aren't you? You have barn duty today.
SHELLY
I do? Are you sure?
SARGE
I'm sure.
SAM
She knows she has barn duty. She just wanted to show off her new clothes.
SHELLY
I did not.
SAM
Did so.
MA
Girls. Stop. Shelly, you go change so you can do your chores right after devotions. Sam. Would you go get the others?
SAM
(Snotty look at SHELLY)
I would love to.
(SAM exits R)
MA
And Shelly? Could you ask Jamie to come out too?
(SHELLY nods and exits through UC door)
Sometimes, those girls...
SARGE
Probably having someone new around is setting them off.
MA
And Jamie was acting really upset when she came in. What happened out here?
SARGE
Sam was giving her a hard time. I took care of it.
MA
I hope so because something is really bothering Jamie and I want her to feel like this is a safe enough place to talk about it.
SARGE
Her visit sure came out of the blue. Did your sister have something come up?
MA
I haven't talked to my sister yet about it. I only talked to Jamie on the phone last night. I didn't get to talk to her mother.
SARGE
Strange.
MA
You think so?
SARGE
Just a little.
MA
I thought it was too, but I figure it was just me.
SARGE
Has she told you anything out of the ordinary yet?
MA
No, she simply said she wanted to visit and I've left it at that.
SARGE
I guess that could be all there is to it.
(Joking)
This is such a wonderful vacation spot.
MA
It is if you like rattlesnakes.
SAM
They're coming.
TINA
(Off. Sings)
"I wish I had an Oscar Meyer wiener."
PAULA
(Carrying on Pig)
I don't hear you.
TINA
(Comes on)
Here, piggy, piggy. Time for dinner.
PAULA
It is not.
MA
Paula, will you please leave that pig in the barn? It's not a baby.
PAULA
Yes, it is. It's my baby.
TINA
You know, she’s right. They even look alike.
PAULA
Can't piggy at least stay for devotions?
SAM
What for? Animals don't have souls.
PAULA
They do too.
SAM
Do not.
PAULA
How would you know?
SAM
I live with enough of them.
TINA
Are you calling me an animal?
SAM
If the feed bag fits...
MA
(Looks through book)
Maybe we need an extra long devotion today.
SAM
(SAM straightens up)
No, that's okay. Sorry, Tina.
TINA
You better be.
PAULA
(Pouting)
I'll go put piggy back.
(Exits R)
MA
Sam. Would you get Shelly now?
SAM
(Yells)
HEY, SHELLY! GET OUT HERE NOW!
MA
That's not quite what I had in mind.
(SHELLY and JAMIE come out)
SAM
See it worked.
SHELLY
We were almost out here anyway. Sorry I took so long.
(Smiles at JAMIE)
Jamie and I were just getting to know each other.
MA
Everyone come sit down. Sarge? Would you read this morning?
SARGE
(Takes book)
Sure.
SHELLY
(Whispers to JAMIE)
This should take forever.
MA
(Hears her)
Do you want to read?
(SHELLY looks away)
Go ahead, Sarge.
SARGE
"In death, we find life."
SAM
Cheery title.
MA
Sh.
SARGE
(Reads with difficulty)
"In everyday living, we... encounter... difficult... situations. We... struggle with the ups and downs of day to day living and sometimes we get so... overwhelmed we want it all to end. Nothing seems to go right for us and we feel like it never will. Some people see death as the answer. And in one kind of death you can find a way out."
SHELLY
What's that again?
MA
Oh, good. You girls do listen.
SARGE
"Suicide is of course the wrong way out. The kind of death we should seek is the end to our old ways of living. We should let our old ways die and seek..."
SHELLY
(Mocking)
"Eternal life in Jesus Christ." These things always end the same way.
MA
There's a reason for that, Shelly.
SHELLY
But it seems so... fake.
SAM
You're one to talk.
SHELLY
What's that supposed to mean?
SAM
Nothing.
PAULA
Be quiet you two. You're ruining a good devotion.
SHELLY
There's no such thing as a good devotion.
SARGE
Now, Shelly...
SHELLY
Oh, shut up, Sarge. Just shut up.
(Runs off R)
SARGE
(Angry)
You come back here!
(Starts after her. MA stops him)
MA
Let me go. You calm down.
(SARGE nods. MA exits R. SARGE throws down book
and exits L)
PAULA
Sarge.
(Picks up book and dusts it off)
You didn't finish.
SAM
I don't think he wants to.
PAULA
Of course he does. I better go talk to him.
TINA
I wouldn't if I were you. He's so mad, he'll probably smack you.
PAULA
He would not.
TINA
Don't say I didn't warn you.
(Exits inside)
PAULA
Maybe I'll wait.
(Goes inside too)
JAMIE
Are things always like this around here?
SAM
(Deciding to be nice)
Yes, most of the time.
JAMIE
It must be hard.
SAM
It's better than nothing. At least we have a place to live.
JAMIE
What do you mean? People always have some place to live.
SAM
Are you sure we're living on the same planet? Haven't you heard of the homeless?
JAMIE
Yes, but they're just junkies and stuff. You never see kids homeless.
SAM
You don't get out much do you?
JAMIE
What do you mean?
SAM
Nothing.
JAMIE
No, come on. Tell me.
SAM
Okay, I'll tell you. Homeless people aren't homeless because they want to be. Homeless people are usually people that aren't wanted. Either their parents died or they left them. Oh, sure there's foster homes but they don't really want you either. If they did, why would they keep getting rid of me.
JAMIE
But you have a home.
SAM
I didn't always have a home. I lived on the streets a little while. And surprise, there were lots of kids there with me. People never thought we were homeless even though we weren't dressed nice. Kids never dress nice anyway. And sometimes we'd even get a five finger discount on something nice from a store. That's how I got caught. I hadn't been out there very long when they got me. Some kids are out there forever. They learn how to survive. I didn't.
JAMIE
Did you go to jail?
SAM
They gave me a choice. Come here or go to jail. Sarge even came down to visit with me.
(Softens)
He told me about the Happy Rancher and despite the stupid name it sounded kinda cool. And he did something most people never did for me.
JAMIE
What's that?
SAM
He asked me what I wanted. He really wanted to know what he could help me do for myself. I just broke down and cried. It seemed like I cried forever.
JAMIE
Why did you cry?
SAM
Because I'd finally found someone who cared.
(Realizes she's just spilled her guts to a
stranger and makes a total turn around)
Oh, man, what am I saying. You must think I'm a total dork.
JAMIE
No, really...
SAM
(Laughs)
Real sob story, huh? It wasn't that big of deal.
JAMIE
Sam, you don't have to put on an act for me. I'm glad you shared that with me.
SAM
Don't get all mussy on me okay.
(Looks around)
So. Do you want the grand tour?
JAMIE
(Confused about SAM's changes in attitude)
Okay.
SAM
(Points DL)
Over there is the road in. It's so long you can't hardly see the main road.
(Point L)
Over there is the garage.
(Smiles slyly)
And Jimmy's house.
JAMIE
Who's Jimmy?
SAM
He's just a real good friend of mine.
JAMIE
Oh.
SAM
(Points DR)
That's Sarge's garden.
(Points R)
Over there is the barn where Shelly's balling her eyes out.
(Points UC)
And this here is our lovely home.
JAMIE
Thanks for the tour.
SAM
No problem.
JAMIE
I wonder if Shelly's okay.
SAM
She's never okay.
JAMIE
What do you mean? She seemed pretty nice on the whole.
SAM
(Surprised)
Oh, don't tell me you fell for you little act.
(Imitates SHELLY)
"Don't you just love my hair? Ain't I just the most beautiful thing you've laid eyes on?"
(Back to self)
Don't you think she's just a little too stuck on herself?
JAMIE
Maybe just a little.
SAM
Don't worry. Old Tami Fay's true colors will show more and more as time goes on. She can only put that act on for so long. And you should try seeing Shelly without all that makeup. Now that's scary.
JAMIE
I sure didn't like the way she acted a few minutes ago though.
SAM
I know. One minute she's Miss Perfect and the next minute she's Psycho. I'm always calling her Jeckle and Heidi.
JAMIE
Here they come.
MA
(Enters R with SHELLY)
Wait here. I'll get Sarge.
SAM
Sarge went towards the garage.
MA
Thanks.
SAM
So Shelly, you ready to get it?
SHELLY
(Cool and calm)
I don't know what you mean.
SAM
Sarge is sure mad at you. You shouldn’t push Vietnam vets around like that you know.
(Creeps up to SHELLY)
Cause one day, you're going to push him too far.
(Tries to scare SHELLY)
And he's gonna snap!
SHELLY
(The ice queen)
Don't be silly.
MA
(Enters with SARGE)
Okay, Shelly.
SHELLY
(Unemotional)
I'm sorry that I told you to shut up.
SARGE
(Doesn't look at SHELLY. Speaks to MA)
You'll take care of her punishment.
MA
I will.
(To SHELLY)
See me after your chores.
(SHELLY gives a slight nod)
SARGE
(To MA)
Send the other girls out here. It's time for chores.
(MA exits into house)
Shelly, you have barn duty.
SHELLY
I knew I should have waited to do my hair. And it looks so nice today.
SARGE
You'll also want to move all your things out of Sam's room. Jamie's going to stay with her.
SHELLY
And where am I moving to?
SAM
(Mock sincerity)
I'm afraid you're going to have to stay in the barn, Shelly.
SHELLY
(Loses her cool)
What?!
SARGE
Samantha.
SAM
Sorry.
SARGE
You're moving in with Tina.
SHELLY
(Excited)
Yes.
SARGE
But after what you pulled today, I'm not sure the barn is such a bad idea.
SHELLY
I said I was sorry.
SARGE
Sometimes sorry isn't enough.
SHELLY
It never is with you.
(Exits R. SARGE retrains himself)
TINA
(From inside)
Oink! Oink!
PAULA
(Runs out)
Stop!
TINA
(Comes out)
Oink, oink, oink.
PAULA
Make her stop, Sarge.
SARGE
Tina, go finish feeding the animals and help Shelly with barn when you're done.
TINA
Oink.
(Exits R)
Oink, oink, oink.
SAM
I see Tina's getting back to her roots.
PAULA
What can I do for you today, Sarge?
SARGE
You're on garden duty.
PAULA
(In heaven)
Cultivating God's garden. I shall keep it as clean as Eden.
SAM
Before or after they ate the apple?
PAULA
I didn't hear that.
(Exits R)
SARGE
(To SAM)
You're inside today.
SAM
Okay. I'll catch you later, Jamie.
JAMIE
Bye. Thanks for the tour.
SAM
No problem.
(Exits inside)
SARGE
Are you and Sam getting along?
JAMIE
I guess so.
SARGE
It'll take time to get through all the rough stuff but she's a pretty neat kid underneath it all.
JAMIE
She seems to really like you too.
(MA comes out)
SARGE
Yeah, we do seem to get along. I wish I could say the same about Shelly.
MA
Jamie? Could you run inside and help Sam a minute?
JAMIE
Uh, okay.
MA
Thanks.
(JAMIE goes inside)
So how are you doing?
SARGE
Not so good. Why can't I get through to Shelly?
MA
For the same reason I can't always get through to Sam. Some people simply get along better than others. You and Sam have a special connection I'll never have with her.
SARGE
That's fine if you get along better with Shelly than I do, but Shelly seems to out right hate me.
MA
Sam may not hate me, but she sure tries to find ways to get under my skin. Just now she ran in the house and told me you were so fed up with Shelly that you were out here trying to drown her in the trough. She got me so worked up I ran to the window to look.
(SARGE is trying not to laugh)
Yes, she thought it was pretty funny too. Well I didn't.
SARGE
Okay, you've made your point.
MA
Do you feel better then?
SARGE
A little. I still wish I could find out what she doesn't like about me. I mean she doesn't have to like me or anything. I just want to know what I did.
MA
You may not have done anything. Give it time.
(SARGE nods)
I better get back inside and watch Sam. I wonder what she has up her sleeve next.
(SARGE laughs and MA exits. He puts his
headphones on and goes to his flowers. SAM comes
out to shake off a rug)
JIMMY
(Appears cautiously from UL corner of house)
Pst. Hey, Sam.
SAM
Jimmy. What are you doing here?
JIMMY
I missed you.
SAM
(Shakes off rug)
I saw you less than an hour ago.
JIMMY
I came back for my kiss.
SAM
Tough. I'm busy.
JIMMY
But I need you, Sam.
SAM
I think you'll survive.
JIMMY
Come on, Sam. You can't make a guy wait like this. It's all biological you know.
SAM
I never heard our biology teacher say anything about it.
JIMMY
Old frog eyed Ferguson doesn't know nothing about these things. I'm surprised he even knew enough to have kids.
SAM
Maybe he did it asexually.
JIMMY
A-what?
SAM
Don't you ever listen in school?
JIMMY
I musta been gone that day.
SAM
You're gone every day.
JIMMY
(Goes to her)
Just one teenie-tiny kiss?
SAM
(Shakes rug at him)
No.
MA
(Comes out. Followed by JAMIE)
What is taking you so long?
(Sees JIMMY)
Oh, hello, Jimmy. What are doing around here today?
JIMMY
I... uh... was wondering if you had any work for me today?
SAM
Nice save.
(JIMMY gives SAM a dirty look as she exits)
MA
You'll have to ask Sarge.
(Points at SARGE at flowerbed)
JIMMY
Thanks.
(MA exits. He looks over JAMIE)
Well, hello there. Who might you be? No wait. Let me guess your name. I'm pretty good at it. Let's see... Cindy? Candy? Mandy?
JAMIE
(Unimpressed)
It's Jamie.
JIMMY
Pretty name.
(He smiles at her)
And you're pretty too.
JAMIE
So how long have you and Sam been together?
JIMMY
Oh, come on. Let me have my fun.
JAMIE
You're not my type.
JIMMY
You're a frisky one, ain't you?
JAMIE
Frisky? Excuse me. I think I need to be some place else.
JIMMY
I'll catch you later.
(JIMMY winks. JAMIE rolls her eyes and exits into
house. JIMMY goes over to SARGE)
Howdy, Sarge!
(JIMMY's yelling makes SARGE jump)
SARGE
I don't have them on that loud, Jimmy.
JIMMY
Sorry.
SARGE
What you need?
JIMMY
Got any work for me today?
SARGE
Not that I can think of. Drop by later though. I might have you go into town with me to pick up some feed.
JIMMY
Sounds good.
(SARGE starts back to work. Pause. JIMMY thinks
then speaks)
Maybe Sam could come along. We could use the help.
SARGE
(Stops. Looks at JIMMY)
I don't know. She might be busy helping Ma.
JIMMY
That's okay. No biggie.
(Embarrasses, disappointed)
SARGE
We'll see. Sam always likes to go to town. Maybe she can run some errands for Ma.
JIMMY
(Happy)
Okay. Just let me know.
SARGE
See you, Jimmy.
(JIMMY runs off L. SARGE smiles and puts back on
headphones. SAM and JAMIE come out with a big rug
to shake out)
SAM
Shoot. I missed him.
JAMIE
Jimmy's sure is different.
SAM
He's the only male within a million miles of here, so I make do.
JAMIE
I suppose I'd get desperate too.
SAM
He's not that bad. He seems like a real jerk sometimes, but deep down there's something good. I think that's true of most people.
(Pause. Thinks)
Except maybe Shelly... and Tina... and Fred from church ain't so good... oh, well I guess maybe it's about 50-50.
JAMIE
I seems that way.
SAM
Actually Jimmy and I are getting pretty serious.
(SARGE perks up, but tries to not to listen)
JAMIE
You are?
SAM
Get a load of this?
(Holds out hand)
It's a promise ring. We're darn near engaged.
JAMIE
What do Ma and Sarge think about that?
SAM
It's none of their business.
(Looks at ring)
Do you think these are diamonds?
(Shows JAMIE)
JAMIE
(Looks close)
Where?
SAM
Next to the emerald.
JAMIE
(Trying to be nice)
Uh, I can't tell.
SAM
He says they are.
(Looks at her ring proudly)
I bet he spent a fortune on this.
(SARGE quietly chuckles)
JAMIE
I'll bet he did.
SAM
Now that I've shared all my deep dark secrets, how about telling me some of yours.
JAMIE
I don't really have any to tell.
SAM
Everyone has a story.
JAMIE
I'm afraid there's nothing to tell.
SAM
What about why you're here?
JAMIE
What do you mean?
SAM
You're not really here for just a visit, are you?
JAMIE
How did you...
(SARGE is really listening now)
SAM
I've been around Jamie. I'm not stupid.
JAMIE
I guess not.
SAM
So come on. Spill it.
JAMIE
I don't really want to talk about it.
SAM
Oh, it must be good. Let me guess. You're pregnant?
JAMIE
No!
SAM
You were caught shoplifting?
JAMIE
(Annoyed)
No, Sam. Nothing like that.
SAM
You had a bad hair day and your friends made fun of you.
JAMIE
Now you're making fun of me.
SAM
I'm sorry. I won't say another word about it. I won't even ask a question again. About anything. Anything at all.
JAMIE
Fine. Do you want to hear my big secret?
SAM
(Desperate)
Please.
JAMIE
Yesterday, I packed up my bags, hopped on a bus, and left home for good.
SAM
You ran away, huh?
JAMIE
You sound disappointed.
SAM
I was hoping for something a little more exciting.
JAMIE
I couldn't stand living there anymore. Not as long as mom stays with that jerk.
SAM
Wicked stepfather, huh?
JAMIE
Sort of. They're not married... yet.
MA
(Comes out)
How long does it take to shake out a rug anyway? This is going to take us all day.
JAMIE
Sorry, we got to talking.
SAM
We've been sharing our darkest secrets.
MA
Oh, dear. That doesn't sound good.
SAM
(Gets a weird look on her face)
No. It wasn't.
(JAMIE and SAM go inside)
MA
(Shakes out a small rug)
At least they're getting along.
SARGE
(Takes off headphones)
You think those kids would learn by now.
MA
(Goes to him)
What are you talking about?
SARGE
I heard their secrets.
MA
(Interested)
You did?
(Realizes she's an adult)
You shouldn't listen to them like that, Joe.
SARGE
I guess you don't want to know what they said then.
MA
I didn't say that.
SARGE
I didn't overhear anything new with Sam but Jamie did say why she's here.
MA
She ran away because she doesn't like the man her mother is seeing.
SARGE
How do you know that?
MA
I just called Jamie's mother. Jamie left a note for her mom telling her why she left but her mom didn't know where Jamie went.
SARGE
So much for my career as a spy.
MA
Connie was sure glad to hear that Jamie's with us.
SARGE
I'll bet. So is Connie coming to get her?
MA
She wanted to but I told her to give it some time. I think Jamie might come around on her own.
TINA
(Enters R)
Hey, Sarge. Can I take a break and go get the mail?
SARGE
As long as your more than half-way done. I do have other things for you to do.
TINA
I'll be done. Can I drive the truck down?
SARGE
I guess...
(Tosses her the keys)
Keep it under 30.
TINA
You're no fun.
(Exits L)
SARGE
One of these days, one of the girls is going to run off on me.
MA
They have. Don't you remember our first year here?
SARGE
I've been trying to forget.
MA
I swear we spent half our time chasing those girls down.
SARGE
But when your only choice is jail or here, I know where I'd be. I wish they would of had some place like this for me when I was a kid. It may've kept me out of trouble.
MA
(Smiles and laughs)
Probably not.
SARGE
(Looks at watch)
It is about time for break, isn't it?
MA
Maybe not for Sam though. Every time I turn around she's taking a break.
SARGE
Besides the girls will want to get their mail. Some of them really look forward to it.
MA
Some of them look forward to it too much.
SARGE
I'll go get Paula and Shelly. Maybe I'll even surprise Shelly and finish up for her out there.
(Exits R)
MA
And I suppose I'll get Sam.
(Exits inside)
PAULA
(Off)
Thank you, Sarge. I'm expecting some important information.
(Enters R)
I sure hope it comes today.
SAM
(Comes from house with JAMIE)
A break already? Seems like we've hardly worked at all.
JAMIE
I think we've spent most of the time talking.
SAM
(Trying to look serious and tough)
I've been working and nobody is going to know different are they? It's our little secret.
JAMIE
(Laugh)
Uh-huh, okay.
SAM
(Like a gangster)
You're a good kid. I like you. I think I'll keep you around.
SHELLY
(Enter R dirty and annoyed)
Look at me. What a mess.
(Almost in tears)
And I broke a nail too.
PAULA
(Goes to her)
Let me see. Poor, Shelly.
SHELLY
(Moves away)
I don't need your sympathy, Paula.
SAM
What Shelly needs is a demolition crew.
SHELLY
Do I look that bad?
SAM
Let's just say that Frankenstein had better hair days.
SHELLY
Oh, and I had my hair perfect today.
PAULA
Don't listen to Sam. You never look bad.
SHELLY
And what do you know, Paula. You can't even wear clothes that are color coordinated.
SAM
Man, Shelly. What did Paula ever do to you?
PAULA
It's okay, Sam. She's upset. She doesn't mean it.
TINA
(Enters L)
Speedy delivery.
PAULA
Here, let me see.
SHELLY
Did I get a letter?
TINA
Back off, girls. I'll call off the names. And if you want the letter, that will be a dollar.
PAULA
But I don't have...
SAM
She's joking, Paula.
TINA
Sure I am. If you don't have a dollar, you can wrestle me for it.
SHELLY
Hurry up, Tina.
TINA
Okay.
(Goes through mail)
A big envelope for Paula.
(PAULA reaches for it and TINA pulls away)
It's from Oral Roberts University.
SAM
Isn't he the one that asked for all that money and said God would kill him if he didn't get it?
TINA
(Still keeping it from PAULA)
The very same.
JAMIE
You're kidding. Did he get the money?
SAM
I don't know, did he?
PAULA
Yes, he did. Now give it here.
SAM
I can't believe people for stuff like that. What kind of idiot would give him money?
PAULA
I did. I didn't want him to die.
TINA
That is truly pathetic.
PAULA
Give me my mail.
TINA
I wanna look at it. What kind of classes do they offer there anyway? Con-artist 101? Money making ideas 201? Maybe I should go there to.
PAULA
They probably wouldn't let you in. They don't take mean people.
TINA
(Pretend shock)
I've been insulted. Paula actually insulted me.
SAM
Will you give Paula her stupid mail please?
SHELLY
Yeah, I want to see what I got.
(TINA gives envelope to PAULA who sits on porch
and excitedly reads it)
TINA
Let's see.
(Looks through mail)
Sarge, Ma, Sarge, Jamie.
(Holds out letter)
SAM
Jamie?
TINA
(JAMIE comes to take it)
One dollar, please.
(Smiles)
Just joking.
(Hands it over)
SAM
Who's it from?
JAMIE
My mother. How'd she know I was here?
SAM
Lucky guess?
JAMIE
Or Aunt Betty told her?
TINA
A letter for Shelly. Which boy is it this time?
SHELLY
(Grabs it)
The only boy there is.
SAM
Ew. Not Fred.
SHELLY
Freddie happens to be a very loving person.
SAM
I know that he sure loves to pick his nose. He's always up in the front row mining for gold. I wonder if he grosses out the pastor.
(TINA tries not to let SHELLY see her laugh)
SHELLY
At least my boyfriend is clean.
SAM
What is that supposed to mean?
SHELLY
I can smell Jimmy coming before I ever see him.
SAM
Oh, shut up Miss Primps-a-lot.
TINA
All right. Here's my Sci-Fi Magazine. Check this out.
(SAM and JAMIE come to look)
JAMIE
How'd they get him to look like that?
TINA
Read and find out.
SAM
I think I'll pass.
(Takes rest of mail)
How come I never get anything?
(Stops at a letter)
Hey, what's this?
JAMIE
Somebody returned a letter to Uncle Joe.
SAM
It's to Vietnam. And it's to a woman.
TINA
Let me see.
(Takes envelope)
How can you tell it's a woman? All those Asian names are alike.
PAULA
You leave that letter alone.
SAM
(Takes it back)
I wonder who it is.
PAULA
I'm gonna tell.
TINA
You tell and I'll bash in your face.
SAM
Don't worry. We won't look at it.
TINA
We won't?
SAM
See, Paula. There it goes back in the pile. All safe and sound.
PAULA
Good.
(PAULA exits inside. SAM winks at TINA and take
letter out again. She puts it inside her shirt)
SHELLY
That rat!
TINA
What is it, Shelly?
SHELLY
That dirty, stinking sorry excuse for a...
TINA
What did he say?
SHELLY
(In tears)
Look at the letter he wrote me.
TINA
"Dear Shelly, I got your letter and picture. My friends and I got a great laugh out of the letter. Thanks."
SHELLY
I want to kill him.
TINA
"Did you really think I liked you? You're cute and all but I don't think you could be my girlfriend. I'm sure you know why."
JAMIE
What does he mean by that?
SAM
He means that he doesn't want a girlfriend who lives in a group home.
JAMIE
Why not?
SAM
Cause we're not good enough, Jamie.
SHELLY
I want him dead.
JAMIE
But that's not true. There's nothing wrong with you.
SAM
Tell that to them. They seem to think so.
SHELLY
I want to cut him up into little pieces.
TINA
It gets worse.
JAMIE
It does.
SHELLY
(Sobbing)
He says I'm a fat little pig who isn't good enough to lick his feet.
TINA
And "P.S. But if you still want to meet out in the church tool shed, I wouldn't mind."
SAM
Oh, come on. What a jerk?
JAMIE
He really wrote that after what he said.
SHELLY
I thought he loved me.
(Runs inside house)
JAMIE
Shouldn't someone go talk to her?
SAM
No, leave her alone.
TINA
Ma will probably talk to her. Meanwhile I'll be thinking of a way to get back at Fred.
MA
(Comes out)
What's wrong with, Shelly? She ran upstairs and locked herself in the bathroom.
TINA
Some guy from church wrote her a nasty letter.
MA
Poor thing. Was it really bad?
SAM
Let's just say if Shelly killed him, I would understand.
MA
That bad? I'll go talk to her.
TINA
Let me, Ma. Sometimes I can cheer her
up.
MA
Okay, Tina. Thank you.
(TINA exits inside)
I hope Shelly doesn't get worked up over this?
SAM
It doesn't take much.
MA
I know, that's what worries me.
JAMIE
What are you talking about?
MA
Nothing, Jamie. I'll be fine.
JIMMY
(Enters L)
Hey, Sam, Jamie.
(Big smile)
Howdy, Ma.
MA
What do you need, Jimmy?
JIMMY
I was just being neighborly.
MA
Well, don't be neighborly too long. I need Sam inside pretty soon.
SAM
What for?
MA
Peeling potatoes.
SAM
(Whining)
Aw, Ma.
MA
I don't want to hear it, Sam.
(Looks at watch)
Five minutes.
SAM
Yes, warden.
(MA exits)
JAMIE
I guess I better leave you two alone.
SAM
Thanks.
(JAMIE goes inside)
Howdy, sailor.
JIMMY
Now about my kiss.
(JIMMY tries to kiss SAM but SARGE enters R. SAM
pushes JIMMY away. SARGE sits in a chair on the
porch. Silence)
SARGE
Don't let me bother you. I'm just gonna do a little reading.
(Looks at a magazine)
JIMMY
Well, I guess I'll be going.
SAM
But our five minutes aren't up yet.
(SARGE looks over the edge of the magazine)
JIMMY
Yeah, but I can't do what I really want to do.
SAM
Can't we just talk?
JIMMY
That's no fun.
(Turns to go)
I'll see you later, Sam.
(Exits L)
SAM
Bye.
(Heads for house)
SARGE
That boy is a lot like I was when I was his age.
SAM
Really?
SARGE
I'm not sure that's good, Sam. There was only one thing I was interested in when it came to girls and it wasn't talking. I was a real waste of food.
SAM
But you turned out good.
SARGE
Yeah, but not before doing a lot of things I wish I hadn't.
SAM
Like what?
SARGE
Gambling, drinking, womanizing. And I'm not real proud of it either.
SAM
Oh, boys will be boys.
SARGE
And somebody shouldn't let them be. Boys get away with too much nowadays and kids like Jimmy love every minute of it. He don't see it now but it ain't worth it. You hurt too many people along the way.
SAM
Jimmy's not that bad, is he?
SARGE
I don't know, Sam, is he?
SAM
I think he's okay.
SARGE
You be careful, Sam.
SAM
I can take care of myself, Sarge. Nothing bad's gonna happen to me.
SARGE
Promise?
SAM
Don't you always say never make promises?
SARGE
Only ones you can't keep.
SAM
Well, I think I can keep this one.
SARGE
Good.
TINA
(Runs out)
SARGE!
SARGE
What is it?
TINA
Shelly's tried to kill herself again!
SARGE
(Jumps up)
Where is she?
TINA
Upstairs. In the bathroom. She cut her wrists. She's bleeding real bad.
SARGE
Go get the truck started. I'll bring her down.
(TINA exits L and SARGE goes inside. JAMIE comes
out really upset)
JAMIE
Sam. Did you hear?
SAM
(Disgusted)
Yeah, I heard. What's new?
JAMIE
What are you saying? Shelly tried to kill herself...
SAM
...for the hundredth time. She does it all the time, Jamie. It's no big thrill for me.
JAMIE
But... this is serious... how can you not care...
SAM
Sometimes people get tired of caring!
(PAULA and MA come out)
MA
Paula. Go call the EMT in town and have her meet us at the gas station. Tell her to have an ambulance sent up too.
PAULA
Yes, Ma.
(Runs back inside)
TINA
(Enters L)
The truck's ready.
SHELLY
(SARGE carries her out. Her wrists are expertly
wrapped. She cries out despite being weak)
No, leave me alone!
SARGE
(Kindly)
Quiet down, Shelly.
SHELLY
(Struggles)
No!
MA
(Goes to SHELLY)
Shelly, please don't fight.
(SARGE is having trouble holding SHELLY)
SHELLY
I don't want Sarge! Pig!
MA
Shelly!
SHELLY
All you men are pigs!
MA
Stop fighting!
SHELLY
No!
SARGE
Shelly, please. I'll only carry you to the truck.
SHELLY
Then only Ma. Please.
SARGE
Yes, Shelly. Only Ma.
(Carries her off L. MA follows. TINA, SAM, and
JAMIE stand silent a moment as car door slams and
truck speeds away)
JAMIE
(After a moment)
Will she be okay?
TINA
She didn't cut herself too bad this time. I bet she'll still have to go to the hospital though.
JAMIE
Why didn't they have the ambulance come here?
TINA
The nearest ambulance is 70 miles away. The EMT in town is the best person to go to for now.
JAMIE
(Looks off L)
Man, look at Uncle Joe. He looks really upset.
SAM
That's probably why Shelly does it.
TINA
Shut up, Sam. You don't know what you're talking about.
SAM
What's the matter? Did I insult your girlfriend?
TINA
(Pushes Sam)
You wanna fight.
(Pushes again)
I'll fight you.
(SAM tackles TINA and they fight)
JAMIE
Sarge!
SARGE
(Runs in and grabs them)
All right, break it up!
(Pushes them apart)
Okay, who started it?
(They're silent)
Sam, go upstairs.
SAM
What? Why only me?
SARGE
Don't argue with me, Sam.
SAM
She did it too.
SARGE
I'll take care of it. Now march!
(SAM is almost in tears. She runs inside)
Tina, out to the barn.
TINA
You're not gonna whip me, are you?
SARGE
(Tired)
I don't know yet. Get.
(TINA goes. Silence. JAMIE feels awkward. SARGE
sighs and grabs his headphones from the porch and
goes DR. He almost collapses at the flower bed.
He sits there motionless. JAMIE doesn't know what
to do. Lights fade to black)
ACT II
Scene 1
(Lights come up on the same scene as Act I. The
only change is SARGE's garden, which is showing
some signs of life. Whether the life is weed or
flower is unknown. It is very early morning but
the moon is full and the scene is well lit [though
the lighting is distinctly different]. As the
scene opens, JIMMY comes stumbling on drunk. He
drags on a ladder that he puts against the cover
over the porch [if an upstairs is not used then
Jimmy will go to a front window instead of an
upstairs window]. JIMMY climbs the ladder)
JIMMY
(As he goes to SAM's bedroom window)
Where's my sweet little chicky? She's gone and I'm all alone. Like Rodeo and Juliet, split up by their ma and pa, left with aching hearts. I got an achky-breaky heart baby and I'm coming for you.
(Knocks on window)
I can hear you now. "Oh, Rodeo. Oh, Rodeo. Where fartest you, Rodeo."
(Laughs at his own joke)
Oh, Juliet.
(Knocks)
Juliet! If you don't come out, you gonna see yonder window break.
JAMIE
(Opens window. She is sleepy and cranky)
What do you want?
JIMMY
Can Sam come out and play?
JAMIE
She's asleep like I was before you started banging on our window.
JIMMY
Can't you wake her up?
JAMIE
No!
(Slams window down on his finger)
JIMMY
OW!
(Sucks on his finger)
SAM
(Sleepily. Off)
Who's out there, Jamie?
JAMIE
A sick loon.
SAM
(Opens window)
Jimmy?
JIMMY
Oh, hi, Sam. Gosh you look perdy.
SAM
What are you doing out there? You're gonna get me in trouble.
JIMMY
I need you, Sam. I'm feeling lonely.
SAM
You've been drinking. You know I don't like you when you're drunk.
JIMMY
Oh, come on, Sam. I've got needs you know.
SAM
So do I and I need sleep, now go away.
JIMMY
I ain't leaving.
SAM
Well, I ain't coming.
JIMMY
I feel my heart about to break.
(He falls against wall of house near the window
and starts a sick howl)
Owoooo!
SAM
(Falls half out of window to cover his mouth)
Stop that! You'll wake Sarge.
JIMMY
(Pulls her out)
I got you.
SAM
(Pushes him)
Quit playing around.
JIMMY
(Rolls near edge)
Look out below.
(SAM grabs him)
You do care.
(Throws his arms around her)
SAM
(Pulls away)
Stop it.
JIMMY
Why are you being so mean?
SAM
Me?
JIMMY
I just want a little love.
SAM
What you need is a cold shower and some coffee.
JIMMY
You're what I need, Sam. Don't you need me?
SAM
What I need is a big club.
JIMMY
But Sam. I'm hurting inside. Don't you care?
SAM
Not when you're like this.
JIMMY
(Angry)
Fine. I'll go.
(Goes to ladder)
Give me my ring.
SAM
What?
JIMMY
Give me my ring.
SAM
You don't mean it.
JIMMY
If you don't want me around, then I don't want you. Give it!
(SAM sadly takes off ring)
SAM
(Gets a mischievous look)
Fetch boy.
(She throws it off R)
JIMMY
Oh, man.
(Gets down and runs off R)
JAMIE
(Pokes her head out)
Is he gone?
SAM
(Sad)
Uh-huh.
JAMIE
Are you okay?
SAM
(Sits and rubs her finger)
No.
(Holds out hand)
I gave him back his ring.
JAMIE
You did?
(Crawls out)
SAM
Maybe I should have gone with him.
JAMIE
But he was so drunk. He smelled like a sick skunk.
SAM
Oh, he always smells like that.
(They laugh a little)
I really love him, Jamie, but sometimes... sometimes he can be such a creep.
JAMIE
There's a lot better guys in the world. Once you get out of here, you'll see that.
SAM
But that's just it, Jamie. All the guys I've met are creeps. I attract them like flies to manure.
JAMIE
Don't say that. You're a lot better than manure.
SAM
Thanks, I think.
JAMIE
That didn't come out right.
SAM
Let's not worry about it. We have other pressing matters to deal with.
JAMIE
What's that?
SAM
Sarge's letter.
(Takes it out)
JAMIE
You kept it?
SAM
Sarge won't miss it.
JAMIE
But it isn't yours.
SAM
Now you sound like, Paula. Fine Miss Prissy Pants. I'll read it on my own.
(SAM opens letter)
JAMIE
Since you opened it, I might as well listen.
SAM
(Smiles)
Sure. Why not?
(Reads)
"Dear Miyo, Thank you for sending me a picture of Little Billy. He is growing up fast. I see he is wearing the baseball cap I sent him. I hope he grows up to be a great baseball player like his father."
JAMIE
Now I know we shouldn't be reading this.
SAM
I knew Sarge did some things he doesn't like to talk about but this... this is too good.
JAMIE
If we get caught with this letter...
SAM
(Excited)
It gets better.
(Reads)
"If you ever need anymore money, just ask. I have some money set aside that Betty doesn't know about."
(Aside)
The plot thickens. It looks like Sarge was doing more than fighting in Vietnam. And if this is something Ma doesn't even know about... Wow. In the wrong hands, this letter could be a powerful tool to used against Sarge.
(Has a devious look on her face. The sun is
coming up)
JAMIE
I say we get rid of it before we get into trouble.
SAM
Then go back to bed, 'cause I'm readin' it.
JAMIE
That letter's private.
SAM
I said you didn't have to listen.
JAMIE
I know, but what about Sarge?
SAM
What about him?
JAMIE
He wouldn't want us reading it.
SAM
He'll never know. We won't get caught.
(Door opens below)
JAMIE
What was that?
SAM
Get down.
(They hide as PAULA comes out)
It's only, Paula.
PAULA
What a beautiful morning. Oh thank you, God for making sure I didn't miss this.
SAM
I hate morning people.
JAMIE
Shh!
PAULA
Look at that sun rising out of the mountains. You know, I think I'm getting a little peek at God.
(Rooster crows)
Oh, I'm coming Colonel Sanders. I haven't forgotten about you.
(Exits R)
SAM
That girl is so weird.
JAMIE
I wish I could be that happy in the morning. The only thing I like to see this early is my pillow.
SARGE
(Appears at window)
There you are. What are you girls doing?
(SAM stuffs letter down JAMIE's shirt and turns
with a smile to face SARGE)
SAM
We got up early to see the sunset.
JAMIE
Sunrise.
SAM
Sunrise. I've been bragging to Jamie so much about it she just had to see it.
SARGE
And how would you know how nice they are? You're never up this early.
SAM
How would you know?
SARGE
Because I'm always up this early.
SAM
Oh.
SARGE
A ladder? How did that get there?
SAM
A ladder? Gee I don't know. Did you know there was a ladder there Jamie?
JAMIE
Come on, Sam. I'm tired. Let's go back to bed.
SARGE
Sounds like a good idea to me.
(Goes inside window)
SAM
That was a close one.
JAMIE
Yeah, Sarge was sleeping pretty hard there wasn't he?
SAM
How was I supposed to know he got up this early?
(Reaches for the letter)
Where's the letter?
JAMIE
I don't think we should read it, Sam.
SAM
Hand it over or you'll be sorry.
JAMIE
Looks like I'll be sorry either way.
(Hands over letter)
SAM
Thanks.
(JAMIE heads back inside)
Don't you want to hear it?
JAMIE
Not really.
SAM
Oh, come on. What are you, chicken?
JAMIE
No, tired. Goodnight, Sam.
(JAMIE goes inside)
SAM
Gee whiz.
(Looks at letter)
Now it's no fun.
SARGE
(Appears below [or at door])
Sam?!
(SAM stuffs letter in her shirt)
SAM
What is this, a prison camp? Can't a person have a few moments to herself?
SARGE
Get back inside.
SAM
But Sarge...
SARGE
Back inside now or I might decide to find out the real reason you're up so early.
(SAM looks worried and heads for window)
PAULA
(Rushes on from R upset)
Sarge. You got to go to the barn quick.
(SAM stops)
SARGE
What is it, Paula?
PAULA
It's Jimmy. He's in the barn... naked.
SARGE
Naked?
PAULA
He's up in the hay loft, swing around, saying he's Tarzan. And he's naked...
SARGE
I'll go take care of it.
SAM
(Excited)
I'll go with you.
SARGE
You get in your room and don't come out until I tell you. Now I know why you were up so early. Things are starting to become clear to me now.
(Runs off R)
SAM
(Waves letter when he's gone)
You're not the only one who knows something, Sarge.
(She exits inside and PAULA sits on steps upset)
JAMIE
Paula? Are you okay?
PAULA
(Sobbing)
Yes, I'm fine.
JAMIE
Did something happen, Paula?
PAULA
Jimmy's naked.
(She covers her face and cries)
JAMIE
He's what?!
PAULA
Naked. He's in the barn swinging around. He thinks he's Tarzan.
JAMIE
(Trying not to laugh)
Oh.
PAULA
It was awful.
JAMIE
I'll bet it was.
PAULA
(Pause. Grows quieter)
I've never seen a boy naked before.
JAMIE
(Gets a disgusted look on her face)
And Jimmy was the first.
PAULA
What do you think about Jimmy?
JAMIE
Jimmy?
PAULA
Yeah. You think he's okay?
JAMIE
Well, let's just say if he and I were Adam and Eve, I'd probably do the world a favor and not reproduce.
PAULA
So you don't like him?
JAMIE
Let's just say he's not my type.
PAULA
Oh.
(Looks upset)
JAMIE
Why do you ask?
PAULA
Well, Jimmy was saying all kinds of stuff to me in there. Stuff I've never thought of before and well... I kind of liked some of it.
JAMIE
Oh.
PAULA
You know, I've never even been on a date. I mean being single was fine for Jesus and all, but I got special needs. Is that bad of me to think that way?
JAMIE
Well, no...
PAULA
I'd really like to get to know a boy. Hold his hand.
(Embarrassed)
Kiss him...
JAMIE
I don't think Jimmy's quite what you have in mind.
PAULA
I guess not, but there really isn't anybody else.
JAMIE
You go to church don't you?
PAULA
Yeah.
JAMIE
Don't you like any guys there?
PAULA
They all think I'm weird. Heck, they think all of us are weird. The only one of us they'll have anything to do with is Shelly and we all know why they like her.
JAMIE
Why's that?
PAULA
'Cause she's pretty.
JAMIE
You're pretty.
PAULA
Not like that.
JAMIE
No, but in your own special way.
PAULA
But guys don't want special.
JAMIE
Some do.
PAULA
I haven't met any.
JAMIE
One will come along.
PAULA
You think so?
JAMIE
Sure.
(PAULA smiles)
Tell you what. Why don't we go up to your room and I'll show you just how pretty you are. We'll put some make-up on you, do your hair, and find a dress that compliments your better qualities.
PAULA
I don't know.
JAMIE
Come on. It'll be fun. And if you don't like it, you can wash it all off.
PAULA
(Smiles)
Jamie?
JAMIE
Yeah?
PAULA
Why are you being so nice to me?
JAMIE
What do you mean?
PAULA
Nobody else here cares. At least not any of the girls.
JAMIE
I'll have to tell you, Paula. Not everybody is like the girls you live with here. There are some pretty nice people out there. Sometimes they're hard to find, but they're there.
PAULA
I'm sure glad I found one of them.
JAMIE
I am too. Let's go.
(They go inside arm in arm. SARGE and JIMMY enter
R. JIMMY is mostly dressed)
SARGE
(Pointing at steps on porch)
Sit.
(JIMMY does. SARGE stares at JIMMY a minute)
JIMMY
Are you gonna kill me, Sarge?
SARGE
I'm thinking about it.
(Pause. JIMMY is very nervous)
What were you doing up there? And don't lie to me. I was once a pretty good liar myself, so I know one when I see one.
JIMMY
I guess I had a little too much to drink.
SARGE
Right under your parent's noses...
JIMMY
Man, they don't care. You should see them sometime. Talk about drunk.
SARGE
But you're just a kid.
JIMMY
I'm almost 18. And I only have two years of high school left.
SARGE
You may not make it to 18 if you keep this up.
(JIMMY gets quiet)
What else were you doing over here?
JIMMY
I was looking for Sam.
SARGE
I thought so.
JIMMY
Then why'd you ask?
SARGE
Don't get mouthy.
JIMMY
Sorry. It's the booze talking.
SARGE
Well, it better stop talking or it's going to get dunked into the water trough.
JIMMY
We didn't do nothing, Sarge. Sam kicked me out even.
SARGE
She did?
JIMMY
She didn't want to get in trouble. Man, was she mean to me.
SARGE
She was?
JIMMY
I was so mad at her for not coming. That's why I did the Tarzan bit in the barn. I wanted you to think there was more going on.
SARGE
Was there?
JIMMY
No! Sam and I didn't do nothing. Really.
(Mad)
All we did was fight. I made her give my ring back.
SARGE
The promise ring?
JIMMY
Yeah. But she threw it somewhere. Now I can't find it.
SARGE
It's right here.
(Takes it out of pocket)
I found it on the way to the barn.
JIMMY
Maybe it's a sign. Maybe Sam and me is supposed to make up.
SARGE
Maybe so. Maybe not.
(Pause)
I'm not sure I want you around Sam anymore.
JIMMY
Oh.
SARGE
But she really likes you and if she wanted to be with you she'd find a way.
(Paces)
The more I'd say no, the more she'd find times to sneak away.
(Studies JIMMY)
So maybe we can take care of this some other way.
JIMMY
(Nervous)
Uh... like how?
SARGE
Growing up, I did a lot of stupid things too. Maybe not as crazy as Tarzan, but I was wild. See my mother died when I was real young and my pappy didn't want to take care of me. So my family sent me around, hoping somebody could handle me, but I only got worse. My big moment was in a barn too. But I burnt it down. That's when my Aunt Minnie took me in. And for the first time somebody loved me no matter what I did wrong. Even though I didn't change over night, that love stuck with me. And as I grew older, that love become more and more a part of me until all the hate was gone.
JIMMY
So what's your point?
SARGE
The point is, Jimmy, that you need some love. Not the kind of love that involves sex, but a caring kind of love.
(Pause)
And maybe Sam can give that to you.
JIMMY
I don't think she wants to now.
SARGE
Maybe she will. Let's bring her out and give it a try.
JIMMY
I don't know. I was a real jerk last night.
SARGE
If you're not ready then we shouldn't do it. You have to want to change.
JIMMY
I want to. I always want to, but it's hard. Wasn't it hard for you?
SARGE
It took more than 30 years.
JIMMY
Thirty years?
SARGE
More probably. I stopped counting.
(Frowns at the memories)
I used to have some awful habits. Drinking, smoking, gambling. Gambling was the worst. I gave up the other things with no problem, but gambling... I still can't even look at a deck of cards.
JIMMY
How did you finally give it up?
SARGE
I don't know that I have. A few years ago I was caught up in it again. Some old friend invited me over and they thought what I'd love was a game of poker cause that's what we used to do together. Of course they talked me into playing. What a terrible night.
JIMMY
You lost big, huh?
SARGE
No, I won.
JIMMY
How much?
SARGE
Several hundred dollars.
JIMMY
Really? Cool.
SARGE
No, it wasn't. I felt the old desires coming back. I was secretly planning a trip to Nevada in my head. I never did spend any of the money though. I couldn't.
JIMMY
Do you still have it?
SARGE
No. I felt to guilty I did the only thing I could think of to make up for it.
JIMMY
What?
SARGE
I gave it to our church.
JIMMY
All of it?
SARGE
All of it.
JIMMY
Too bad.
SARGE
So are you willing to give something up for Sam?
JIMMY
Like what?
SARGE
Drinking maybe.
JIMMY
But all my friends drink.
SARGE
You need different friends.
JIMMY
Everyone will think I'm a total loser.
SARGE
Sam won't.
JIMMY
(Sighs. Looks at ring)
I guess I could give it a try.
SARGE
No. Either you will or you won't. There's no in the middle.
JIMMY
(Thinks)
Okay. I will. For Sam.
SARGE
I'll get her.
(Opens door)
Sam. Will you come down please?
(Steps out)
JIMMY
(Stands. Paces)
What should I say to her?
SARGE
Whatever you feel is right.
SAM
(Comes out)
Yeah, Sarge.
(Sees JIMMY)
What's he doing here?
SARGE
I had a little talk with him. Now I think it's your turn.
(SARGE sits on porch and pretend to read a
magazine. He keeps watch on the following)
SAM
(After staring at him a minute)
Well?
JIMMY
I'm sorry.
SAM
If you are so sorry, why do you keep doing it? This isn't the first time you've come around at night acting like a baboon.
JIMMY
I swear, Sam. If you take me back, I'll stop drinking.
SAM
But you'll only stop if I take you back.
JIMMY
No, I'm quitting. I promise.
SAM
(Pause. Studies him)
You really want me back.
JIMMY
More than anything.
(They stare happily at each other. SARGE rolls
his eyes)
SARGE
Go ahead and hug him.
(They hug happily)
SAM
Could we go for a walk, Sarge?
SARGE
I guess. But don't go far.
SAM
We won't.
SARGE
And stay out of the barn.
(SAM laughs as they exit L)
I hope this doesn't backfire on me.
(JAMIE comes out)
JAMIE
Ma isn't back with Shelly yet, huh?
SARGE
Nope. But they should be here soon. The doctor gave the okay last night.
JAMIE
Where's Sam?
SARGE
Taking a walk with Jimmy.
JAMIE
They made up?
SARGE
Guess so.
JAMIE
And Tina's still in bed.
SARGE
Why? What ya' need?
JAMIE
I had something I wanted to show everyone.
SARGE
What is it?
JAMIE
Maybe I should wait for everybody.
SARGE
I ain't nobody, you know.
JAMIE
Okay. I'll be right back.
(JAMIE disappears inside. SARGE smiles and waits.
JAMIE is inside and calls out:)
Now close your eyes, Sarge.
SARGE
(Closing eyes)
Yes, ma'am.
JAMIE
Here we come.
(JAMIE comes out with PAULA who is done up
beautifully in make-up, a new hair style, and a
very nice dress. JAMIE guides her out. PAULA is
embarrassed)
Okay, Sarge.
SARGE
(Sees PAULA. Is surprised)
Well, look at you.
PAULA
Is that good?
SARGE
You look wonderful, Paula. I almost didn't recognize you.
PAULA
Really?
SARGE
You're as pretty as any girl I've ever seen.
PAULA
(Blushing)
Thanks, Sarge.
JAMIE
See, Paula. You are pretty.
PAULA
I guess so.
JAMIE
We need a picture of this.
SARGE
You bet we do. I'll go get my camera.
(Goes inside)
PAULA
This is so wonderful. Thank you, Jamie.
JAMIE
It was no trouble at all.
JIMMY
(He enters from R with SAM)
Hey, who is this?
JAMIE
Can't you tell?
JIMMY
(Looks hard. PAULA looks away)
Is that...no way. Paula?
JAMIE
Sure is.
JIMMY
You are lookin' fine, Paula. Mighty fine. I didn't know you were so good-lookin'.
PAULA
Me neither.
JAMIE
It's a shame she's been hiding it all this time.
JIMMY
I don't know where it was, but it sure looks good now.
SAM
(Punches him)
Hey, you watch yourself.
JIMMY
I didn't mean nothing by it.
(SAM goes to door)
I was only trying to make her feel good.
SAM
I have to go make breakfast.
(Exits inside)
PAULA
Sam's making breakfast? I thought she couldn't cook.
JAMIE
Maybe I better go help her.
(Exits inside)
JIMMY
I better go home too. Man, I am going to get it.
PAULA
(Shy)
Bye, Jimmy.
JIMMY
(Smiles)
Bye, Paula. Boy are you one hot looking chick.
(PAULA is embarrassed but happy)
SARGE
(Comes out with camera. TINA follows)